Overcoming Rejection | Part Three: Rejection from Magazines
The third in a four-part series and workshop about dealing with rejection as a writer
Author: Frances Turpin
Frances is Poetry Wales' Magazine Manager
Overcoming Rejection | Part Two: Self-Scrutiny
The second in a four-part series and workshop about dealing with rejection as a writer
Overcoming Rejection | Part One: Releasing Rejection
The first in a four-part series and workshop about dealing with rejection as a writer
Mark Doty: How I Wrote ‘Deep Lane [June 23rd, evening of the first fireflies]’
“I have always felt that risk could energise a poem and that the reader might feel the heat being generated”
Saddiq Dzukogi: How I Wrote ‘The Old Ones’
“[This] poem represents the beginning of a willingness to engage in this new awe of the self through the prism of ancestry. It is an act of seeking permission to pursue this new wonder.”
Hannah Linden: How I Wrote ‘Each Morning, New Leaves’
“My poet mind is far wiser than I am. It takes me awhile to catch up with it.”
Jeff William Acosta: How I Wrote ‘of thee I sing’
“They came in like flashes, in fragments—a tapestry of thoughts. Writing poetry in a language that is not native to me, in a sense makes me think of ways or approach the English language in a different angle.”
Paul Deaton: How I Wrote ‘Harvest’
“I find that some poems I write, luckily, just seem to happen – I might get a first line, like a fish biting, and then, if I have time, I let the poem unfold itself, and see where that line takes me”
Suman Gujral: How I Wrote ‘Lion’ | Video Interview
“One piece of advice is… to not worry about whether anyone’s going to see the work; to make, to immerse yourself in your work and enjoy it. And don’t make it for anything in particular, but just make it for the sake of making, because [the] kind of creativity where you don’t kind of shoebox yourself into thinking we have to be one thing or another, that’s very liberating.”