Hassan A. Usman: How I Wrote ‘Displacement Ghazal’
“I have always seen poetry as a form of resistance and an (urgent) response to every part of our daily lives”
Author: Zoë Brigely
Editor of Poetry Wales
Zoë Brigley is an award-winning poet, editor and academic. As well as editing Poetry Wales, she shares the role of Poetry Editor for Seren Books with Rhian Edwards, and is an Assistant Professor in English at Ohio State University.
Laurie Bolger: How I Wrote ‘Bants’
“[There] were scaffolders banging outside our window ‘talking loud’ shouting and swearing… I wrote this poem in my phone notes app whilst we listened to them and made ourselves a tea”
Josh Smyth: How I Wrote ‘Billboard’
“During these visits, I am immersed in familiar company, and it isn’t until I have short moments away from family, in solitude, when I take stock of my surroundings and focus on the unfamiliarity of everything”
Deborah Finding: How I Wrote ‘valley burn’
“I’m always thinking about who gets to speak and be listened to, and who gets silenced”
Stuart Pickford: How I Wrote ‘Backchat’
“If you let your characters speak, you can give them enough rope to hang themselves: they reveal their own nature without the narrator having to comment; you’re showing and not telling”
Jefferson Holdridge: How I Wrote ‘Hands’
“She noticed my predilection for rhyme and then warned that using it should sound ‘blindingly inevitable'”
Katie Munnik: How I Wrote ‘The Invention of Rope’
“You might say that writing this poem was an act of unwinding”
Alyson Hallett: How I Wrote ‘Split Tongues’
“It seems to me that all language grows out of the dirt, the shapes of hills, the mud of the fields and barks of trees”
Christian Wethered: How I Wrote ‘this is a 16-mm film of seven minutes in which no words are spoken’
“I love her cinematic urgency, like a shape-shifting spotlight that never settles on its subject”