Interview by Peter Molnar [Content warning for trypanophobia/fear of needles] A punchy, intriguing ending can hold me in its thrall as a reader As if this is a Dreamscape Lantis Insulin Driver, 7:43am. A needle pricked to skin’s breaking, the driver clicking, a cold burn streaking, seeping through this strip of fatty tissue. Cold…
Category: Poems
Leigh Anthony Manley ‘The Moon is not a Dream Anymore’
A poem to celebrate the Welsh national football team’s achievement in reaching their first World Cup Finals since 1958 The Moon is not a Dream Anymore (Inspired by Wales v Ukraine, 5th June 2022, FIFA World Cup Play-off Final) The last time we were there Pelѐ had the world at his feet and man had not…
Kate Noakes: How I Wrote ‘Hair’s Breadth’
Interview by Zoë Brigley There are many poems concerned with other breath related topics from different cultures and geographies. This is one such. Hair’s breadth I The child watches a pair of hares chase around the paddock by the holiday cottage. Rime has whitened grass and gorse in every field from there to the edge…
Rhys Owain Williams: How I Wrote ‘Mother and Child’
Interview by Zoë Brigley I think I write poetry by ear too, writing and rewriting lines repeatedly until they sound ‘right’ when I read them aloud Mother and Child Josef Herman, oil on canvas, c. 1945–50 Unhappy days for you, now, are few – yet this dull lunchtime seems to hang. On your iPad, you…
John Greening: How I Wrote ‘Sea Urchins’
Photo credit: Adrian Bullers | Interview by Zoë Brigley The Roman poet Horace was right to recommend holding back your work for several years before publishing it. You get a better sense of its value… Sea Urchins Cape Ann, Massachusetts We have trampled those delicate eggs of the night, the sea urchins, fragments of a…
Introducing Our New Reviews Editor: George Sandifer-Smith, How I Wrote ‘Sandwich inspector’
Poetry Wales is delighted to announce the appointment of our new Reviews Editor, George Sandifer-Smith. By way of introduction, George explains the process behind writing his poem ‘Sandwich inspector’ as well as his hopes and plans for reviews… Sandwich inspector Lunchtime is vital. Waft of delivered bread slowing into crouton fodder two aisles away as…
Stephanie Green: How I Wrote ‘To a Humpback Whale’
Interview by Zoë Brigley So the first few stanzas grew to a joyous Hallelujah, a dramatic climax describing the breach. And then things went horribly wrong. To a Humpback Whale Húsavík, Iceland) After Cal Freeman Dear blubber, glorious obesity, your tubercles like hairy warts. Dear blur on the sea’s surface and downward curve of your…
Dr Rhea Seren Phillips: How I Wrote ‘The Book of Plants and Insults’
Interview by Zoë Brigley “I take the position of observer, and my creative practise then unleashes an energy which has its own personality. I wouldn’t trust it with a butter knife, let alone anything else“ The Book of Plants and Insults Abide tranquillity, boy. Must not seize coiling phlox to classify Πανδώρα. chocolate-eyed merch dives…
Kate North: How I Wrote ‘Blood-Children-Prayer’
Interview by Zoë Brigley Upon reflection, I took [inspiration for a verse] from one of those sonic memories that we all have buried deep in our neurological pathways. I think I use them a lot in my writing. Blood-Children-Prayer I remember the day our whole house came on its period, including the men who were…