10 Unmissable Poems from the last 5 years (Part 1 of 5)

Read the first two of our top ten unmissable poems published in Poetry Wales from the last 5 years. To celebrate 55 years of publishing poetry, every Friday we’ll be releasing two poems from the list, with our final post including a downloadable PDF edition of the poems. The ten poems in this short collection were selected by Nia Davies, editor of Poetry Wales (2014-19). Our top 5 poems are included for free with our Summer 2019 issue.

no. 10

Inga an Olaf at the Lighteen

by Harry Josephine Giles

Inga at the helm, watchan

fir lowes, fir shifts i the drifts o rouk;

Olaf tentan the diacles, raedeens,

airtan oot a trael o light

tae a dinger, a payday, a fill hale.

Thir crew o linesmen, halfins, bide

ready. Hid’s been a gey geud while.

The yole chirks fae gowden whips.

Olaf spies a peak an merks hid.

Inga catches a chaenge i the petren

o his concentraetion, an waits.

He chacks his chairter anent his ladar

anent his osc., braethes, turns

tae his skip – an thay see hid togither: bleck

brakkan the gowd, than hulk looman

ower the yole. ‘Wrack! Brace!’

Inga rives the yole tae,

the linesmen an Olaf grippan thir stells,

tickan the flinterkin waas atween

them an daeth in reid alerm.

Bit – a blenk – than – the yole

pous clear, skewan anunder the derk

godssend. Ilka gies the golder

o braeth winnan free, n sattles

lik this wir ordinar. They win

tae thir boonty: hid’s no a goshens

o lights, but as Inga relays thir stance

thay rackon anither sort o survival.

Inga and Olaf at the Lighting

Translated from Orcadian

by Harry Josephine Giles

Inga at the helm, watching for flameglowflickerflares, for shifts in the drifts of fog; Olaf

carefully watching the diacles and readings, trying to find a trail of light to a strike, a

payday, a full haul. Their crew of linesmen, half-shares, waitstaylive ready. It’s been a

long time since a good landing. The yole creakraspcomplains from the golden

gustdarttwistattacks.

Olaf spots a peak in the read-outs and quicksmartly marks it. Inga senses a change in

the pattern of his concentration, and waits. He checks mapper against ladar against osc.,

breathes, turns to his skip – and they see it together: black breaking the gold, then full

hulk looming over the yole. ‘Wreck! Brace!’

Inga wrenchripbreaks the yole to, the linesmen and Olaf gripping their braces,

touching the flimsygaudysilly walls between them and death in red alarm. But – a

blinkmomentglance – then – the yole pulls clear, twistskewshunning under the dark

godssend. Each of them gives the laughroarcry of breath escaping, and settles down as

though this were simply ordinary. They reachgain their bounty: it isn’t an abundant catch

of lights, but as Inga transmits their co-ordinates they are all reckoncounting another

kind of survival.

Harry Josephine Giles is from Orkney and lives in Edinburgh. Their latest book is The Games from Out-Spoken Press, shortlisted for the 2016 Edwin Morgan Poetry Award. They are studying for a PhD at Stirling, co-direct the performance platform Anatomy, are now touring the poetry-music-video show Drone. www.harryjosephine.com

Their poem ‘Inga an Olaf’ first appeared in Poetry Wales 52.3.


no. 9

Thames. Dover. Wight.

by Geraldine Monk

Northerly becoming variable.

Rough until later otherwise slight.

Channel rats scuttle intense

depressions along La Manche.

Ocean plasma. T.V. screens.

Booze cruisers. Below deck

bowels heave. Stowaways.

Canned fish teeth. Man meat.

Sardines. Specks of suspended

humanity.

Unfathomable depths.

Recipes for degrees of hurt.

Reduced stock of oxygen. On upper

deck freshly drizzled lemon air.

‘Take good care of your sailing cubes and

always make sure your door is safely pulled to’

The above words were writ

four thousand years ago. Too late to

save the Herald of Free Enterprise.

Most succumbed unseeing in the

dark of hypothermia

four soft-boiled minutes from harbour.

After four leagues the darkness was

thick and there was no

light. You could see nothing

ahead and nothing

behind.

The faraway comes near. Sea salt.

Cracked pepper. Surface effort.

Organic granules pour delicious

paradox. Gravy boat. Best china.

Displaced Polar vortex we hear

kindled in fractious love.

Snowy owl flying through a hail of

crystal balls. Steering its

monogaze with a hint of

uncharacteristic panic.

Geraldine Monk is a veteran of British poetry being first published in the 1970’s. Her major collections include Interregnum (Creation Books) and Escafeld Hangings (West House Books).  Her Selected Poems was published by Salt Publishing. In 2012 she devised and edited the collective autobiography Cusp: Recollections of Poetry in Transition (Shearman Books). In 2019 she wrote and performed the text for the film A Soft Rebellion in Paradise Square, directed by Chloe Brown.  She is a founding member of the antichoir Juxtavoices and an affiliated poet to The Centre for Poetry and Poetics, University of Sheffield.  Her poem ‘Thames. Dover. Wight.’ was published in Poetry Wales Volume 51 Number 2 and appears in her They Who Saw The Deep (Parlor Press, 2016).


The ten poems were selected by Nia Davies, editor of Poetry Wales (2014-19). Nia Davies is a poet and PhD candidate at Salford University where she is undertaking practice-based research into poetry and ritual. She has co-curated and participated in several transcultural collaborations, projects and events and her work has been widely translated. Her most recent publications are All fours (Bloodaxe Books, 2017), England (Crater, 2017) and Interversions (Poetrywala, 2018), which documents her collaboration with Kannada poet Mamta Sagar.

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