Facebook Youtube Instagram
  • About
  • Contact
  • My account
  • Subscriber’s Area
  •  
  • About
  • Contact
  • My account
  • Subscriber’s Area
  •  
  • Current Issue
  • Buy
    • Back Issues
    • Collections
    • Institutional
    • Where to Find Us
      • Bookshops
      • Libraries
  • Subscribe
    • Gift
    • Print
    • Digital
    • Supporter
    • Bundle
    • Student & Concession
    • Institutional
  • Submit
    • Submissions are Currently Closed
    • Submissions FAQ
    • Reviews
  • Poetry Wales Award
  • Resources
    • Teaching Resources (English & Cymraeg)
    • Open-Access Workshops and Articles
    • Resources for Writers
  • News
  • More
    • Articles
    • Events
    • Interviews
    • Poems
    • Videos
    • Opportunities
  • Current Issue
  • Buy
    • Back Issues
    • Collections
    • Institutional
    • Where to Find Us
      • Bookshops
      • Libraries
  • Subscribe
    • Gift
    • Print
    • Digital
    • Supporter
    • Bundle
    • Student & Concession
    • Institutional
  • Submit
    • Submissions are Currently Closed
    • Submissions FAQ
    • Reviews
  • Poetry Wales Award
  • Resources
    • Teaching Resources (English & Cymraeg)
    • Open-Access Workshops and Articles
    • Resources for Writers
  • News
  • More
    • Articles
    • Events
    • Interviews
    • Poems
    • Videos
    • Opportunities

Author: Zoë Brigely

Editor of Poetry Wales Zoë Brigley is an award-winning poet, editor and academic. As well as editing Poetry Wales, she shares the role of Poetry Editor for Seren Books with Rhian Edwards, and is an Assistant Professor in English at Ohio State University.

Hassan A. Usman: How I Wrote ‘Displacement Ghazal’

Posted on May 15, 2024April 30, 2024

“I have always seen poetry as a form of resistance and an (urgent) response to every part of our daily lives”

Laurie Bolger: How I Wrote ‘Bants’

Posted on May 1, 2024April 30, 2024

“[There] were scaffolders banging outside our window ‘talking loud’ shouting and swearing… I wrote this poem in my phone notes app whilst we listened to them and made ourselves a tea”

Josh Smyth: How I Wrote ‘Billboard’

Posted on April 24, 2024April 30, 2024

“During these visits, I am immersed in familiar company, and it isn’t until I have short moments away from family, in solitude, when I take stock of my surroundings and focus on the unfamiliarity of everything”

Deborah Finding: How I Wrote ‘valley burn’

Posted on April 17, 2024April 30, 2024

“I’m always thinking about who gets to speak and be listened to, and who gets silenced”

Stuart Pickford: How I Wrote ‘Backchat’

Posted on April 10, 2024April 30, 2024

“If you let your characters speak, you can give them enough rope to hang themselves: they reveal their own nature without the narrator having to comment; you’re showing and not telling”

Jefferson Holdridge: How I Wrote ‘Hands’

Posted on April 3, 2024April 30, 2024

“She noticed my predilection for rhyme and then warned that using it should sound ‘blindingly inevitable'”

Katie Munnik: How I Wrote ‘The Invention of Rope’

Posted on March 27, 2024April 30, 2024

“You might say that writing this poem was an act of unwinding”

Alyson Hallett: How I Wrote ‘Split Tongues’

Posted on March 20, 2024April 30, 2024

“It seems to me that all language grows out of the dirt, the shapes of hills, the mud of the fields and barks of trees”

Christian Wethered: How I Wrote ‘this is a 16-mm film of seven minutes in which no words are spoken’

Posted on March 13, 2024April 30, 2024

“I love her cinematic urgency, like a shape-shifting spotlight that never settles on its subject”

  • Previous
  • 1
  • 2
  • 3
  • 4
  • 5
  • …
  • 11
  • Next
  • Accessibility
  • Advertising
  • FAQ
  • Privacy Policy
  • Shipping Policy
  • Accessibility
  • Advertising
  • FAQ
  • Privacy Policy
  • Shipping Policy

© 2020 Poetry Wales. All rights Reserved.

Facebook Twitter Google-plus Pinterest