“It’s a funny thing with writing, as so much of the time I find I don’t really know where I’m going to end up with a poem… I guess what I’m trying to say is sometimes it does happen ‘organically’ and sometimes it’s more purposeful”
Category: Interviews
Caleb Nichols: How I Wrote ‘BUS STOP, GWYNEDD’
“Sometimes a short poem or phrase feels a little like a gift: it arrives almost fully formed and I get the sense that adding too much deflates the impact of the image and sound of the poem.”
Jim Lloyd: How I Wrote ‘The Mistle Thrush’
“This poem was unusual for me in that it was written very quickly. Although I experimented with different stanza lengths, this version is close to the very first sketched out draft which was in couplets”
Taylor Edmonds: How I Wrote ‘I Am’
“When I’m writing something new, I tend to let it splurge out however it lands, without thinking about form too much, as this holds me back during this initial draft. Then I curate the form more carefully when editing.”
Mark Doty: How I Wrote ‘Deep Lane [June 23rd, evening of the first fireflies]’
“I have always felt that risk could energise a poem and that the reader might feel the heat being generated”
Saddiq Dzukogi: How I Wrote ‘The Old Ones’
“[This] poem represents the beginning of a willingness to engage in this new awe of the self through the prism of ancestry. It is an act of seeking permission to pursue this new wonder.”
Hannah Linden: How I Wrote ‘Each Morning, New Leaves’
“My poet mind is far wiser than I am. It takes me awhile to catch up with it.”
Jeff William Acosta: How I Wrote ‘of thee I sing’
“They came in like flashes, in fragments—a tapestry of thoughts. Writing poetry in a language that is not native to me, in a sense makes me think of ways or approach the English language in a different angle.”
Paul Deaton: How I Wrote ‘Harvest’
“I find that some poems I write, luckily, just seem to happen – I might get a first line, like a fish biting, and then, if I have time, I let the poem unfold itself, and see where that line takes me”