Facebook Youtube Instagram
  • About
  • Contact
  • My account
  • Subscriber’s Area
  •  
  • About
  • Contact
  • My account
  • Subscriber’s Area
  •  
  • Current Issue
  • Buy
    • Back Issues
    • Collections
    • Institutional
    • Where to Find Us
      • Bookshops
      • Libraries
  • Subscribe
    • Gift
    • Print
    • Digital
    • Supporter
    • Bundle
    • Student & Concession
    • Institutional
  • Submit
    • Submissions are Currently Closed
    • Submissions FAQ
    • Reviews
  • Poetry Wales Award
  • Resources
    • Teaching Resources (English & Cymraeg)
    • Open-Access Workshops and Articles
    • Resources for Writers
  • News
  • More
    • Articles
    • Events
    • Interviews
    • Poems
    • Videos
    • Opportunities
  • Current Issue
  • Buy
    • Back Issues
    • Collections
    • Institutional
    • Where to Find Us
      • Bookshops
      • Libraries
  • Subscribe
    • Gift
    • Print
    • Digital
    • Supporter
    • Bundle
    • Student & Concession
    • Institutional
  • Submit
    • Submissions are Currently Closed
    • Submissions FAQ
    • Reviews
  • Poetry Wales Award
  • Resources
    • Teaching Resources (English & Cymraeg)
    • Open-Access Workshops and Articles
    • Resources for Writers
  • News
  • More
    • Articles
    • Events
    • Interviews
    • Poems
    • Videos
    • Opportunities

Category: Interviews

Des Mannay: How I Wrote ‘Hoxton girl in a “Last Poets” t-shirt’

Posted on November 23, 2022April 30, 2024

“[Voices] were the first musical instruments, therefore all poetry has a music, and in some cases rhyme, repetition, and participation built into it…”

Shefali Banerji: How I Wrote ‘Fine Print’

Posted on November 16, 2022April 30, 2024

“… I do love how language evolves within a certain context. How a word when taken from one language is reborn in another. How it switches, changes, subverts its past meaning in its new form.”

Matthew M. Cariello: How I Wrote ‘The Cowbird’

Posted on November 9, 2022April 30, 2024

“The writing process involved the two competing impulses – invention and harmony.”

Andrea Witzke Slot : How I Wrote ‘Showering my mother on her 60th wedding anniversary’

Posted on November 2, 2022April 30, 2024

Interview by George Sandifer-Smith There are so many ways we “speak” as humans even when we don’t utter a sound. Showering my mother on her 60th wedding anniversary She eyes me cautiously, shivering as she steps on the cold tiles. I move as I might in a forest when watching a bird, knowing the smallest shudder…

Ben Wilkinson: How I Wrote ‘What the Doorman Says’

Posted on October 26, 2022April 30, 2024

I’m after the truth in my poems… not some misguided loyalty to ‘what actually happened’. I don’t believe any of us are reliable narrators of events, even to ourselves What the Doorman Says With a nod to C.R. That he could kill for a smoke. That the punters get older every year. That really, he…

Lily Blacksell: How I Wrote ‘Noontime Newtown’

Posted on October 19, 2022April 30, 2024

Interview by Zoë Brigley That’s how a lot of my poems start really, a flimsy reference or a bad joke Noontime Newtown Easy girl easy the harbourmaster told me like he thought I was his horse or stoppable what are you doing running in this heat why’ve you come this way at such low tide…

Charlie Baylis: How I Wrote ‘i’m still looking for the perfect lover’

Posted on October 12, 2022April 30, 2024

Interview by George Sandifer-Smith Some people like to articulate why things are good or bad, but I don’t think it is as fun as writing or reading poetry, so I’ll leave that to people with grand ideas/ more time/ on their / hands i’m still looking for the perfect lover for julia it’s like when…

Cheryl Moskowitz: How I Wrote ‘This Pot of Earth’

Posted on October 5, 2022April 30, 2024

Interview by Zoë Brigley Nearly all my poems begin as scrawled notes in a notebook, often so messy I can barely read my own writing.  This Pot of Earth I do not know why I keep watering this pot of earth with no bloom, except that nothing that thirsts should be left to go dry….

Owen Sheers: How I Wrote ‘The Farrier’

Posted on September 28, 2022April 30, 2024

“When you start writing a poem you have to be prepared to walk boldly into failure.“ Content warning: mention of domestic abuse The Farrier Blessing himself with his apron, the leather black and tan of a rain-beaten bay, he pinches a roll-up to his lips and waits for the mare to be led from the…

  • Previous
  • 1
  • …
  • 9
  • 10
  • 11
  • 12
  • 13
  • 14
  • 15
  • …
  • 21
  • Next
  • Accessibility
  • Advertising
  • FAQ
  • Privacy Policy
  • Shipping Policy
  • Accessibility
  • Advertising
  • FAQ
  • Privacy Policy
  • Shipping Policy

© 2020 Poetry Wales. All rights Reserved.

Facebook Twitter Google-plus Pinterest