“I like to gather together all manner of things to see me through the making of a poem… I don’t know what to expect so I take everything, just in case.”
Category: Interviews
Rachael Clyne: How I Wrote ‘White/Other?’
“I’ve always been an issue based writer and one who draws from personal experience, but just ranting doesn’t cut it”
Christina Hennemann: How I Wrote ‘The Grim Reaper and the Empress’
“A lot of my images and phrases are the result of letting my subconscious lead the way and just go with it”
Caroline Smith: How I Wrote ‘Links’
“My experience as a sculptor at art school makes me wary of trying to create something that is self-consciously an artifact… For me it is the subject and material of the poem that drives its shape”
Isabel de Andreis: How I Wrote ‘The Glove of Cymru’
“I think writing poems has become a kind of counterweight for me, a joyful and organic writing experience that just happens sometimes”
Frank Dullaghan: How I Wrote ‘In the Waiting Room’
“I will hold onto a poem, working and re-working it, until I get the ending right.”
Jamie Woods: How I Wrote ’86K SUPERHIGHWAY’
“Poetry doesn’t only have to exist as words on a page in a standard house font. We read them out loud, we listen to others, we watch them be performed… This poem is about noisy overlapping messages, it’s about everything being too much”
Ciarán O’Rourke: How I Wrote ‘Blackthorn’
“When I’m writing, I tend to hold closely to the rhythm of the poem as it’s unfolding, line by line and breath by breath.”
Oisín Breen: How I Wrote ‘Even Small Birds Can Render Planets unto Ash’
“I’d definitely consider writing poetry to be more a sculptor at the rock-face, at least at times, with a dash of the composer listening for the motifs, the rises and falls, and the music”