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Peter E Murphy: How I Wrote ‘Bad History’

Posted on November 6, 2024January 21, 2025

“I have a hiraeth for Wales which, cliché alert! nourishes my soul and gets my muse all excited.”

Content warning: mentions of suicide and addiction.

Forward Prize Commended Poems

Posted on October 23, 2024October 23, 2024

Meet the Poetry Wales poets featured in the Forward Book of Poetry 202

B. Anne Adriaens: How I Wrote ‘The sea giveth and the sea taketh away’

Posted on October 2, 2024October 9, 2024

“Writing long-hand in a notebook feels like a safe space, if only because I’m usually the only person who can read my messy handwriting!”

Content warning: mentions of drowning, death of a child

Ìfẹ́olúwa Àyàndélé: How I Wrote ‘The Dreams of Grandfather and Me’

Posted on September 18, 2024September 11, 2024

“The answer I got was the dream. That dream, a cherished ambition, becomes a kind of symbiosis connection between my grandfather and me.”

Seren Books | 2024 Poetry Call-Out

Posted on September 9, 2024September 30, 2024

Seren Books are open to submissions for poetry collections and poetry pamphlets until 5PM Monday 30th September 2024

J.S. Dorothy: How I Wrote ‘Double-Empathy Problem’

Posted on September 4, 2024September 3, 2024

“It’s therefore frustration that compelled me to write this poem, and a desire to illuminate how deeply compassion can be felt even when it’s not always immediately apparent”

Jane Houston: How I Wrote ‘Ponies’

Posted on August 14, 2024August 13, 2024

“The poem is about a human experience of illness, due to a virus in the human body.  But the illness itself takes a human form, and our abuse of shared ground gives the poem its monochrome palette.”

‘The Epic of Cader Idris’ by Samatar Elmi

Posted on August 1, 2024August 6, 2024

Poetry Wales are delighted to share here a video featuring poet Samatar Elmi who performs the title poem of the upcoming poetry collection The Epic of Cader Idris (Bloomsbury/flipped eye, 2024)

Mason Lloyd: How I Wrote ‘Is this ok?’

Posted on July 17, 2024July 15, 2024

“[No] matter how many words I put down, it didn’t touch on what I was trying to get to. Instead, what I have tried to do is not say it, but use the space in-between, the felt space, and use that as a vehicle to get me, and hopefully the reader, closer to something.”

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