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Author: Zoë Brigely

Editor of Poetry Wales Zoë Brigley is an award-winning poet, editor and academic. As well as editing Poetry Wales, she shares the role of Poetry Editor for Seren Books with Rhian Edwards, and is an Assistant Professor in English at Ohio State University.

Muskaan Razdan: How I Wrote ‘Duplex’

Posted on December 13, 2023April 30, 2024

“I love how agile and stripped back it is as a form. It doesn’t allow you to dwell, chewing away unnecessary information and only leaving the reader with the heart of the idea”

Content warning: mentions/implications of domestic or intimate partner abuse

Poetry Wales Winter Holiday Reading for Summer 2023 | Zoë Brigley Reflects

Posted on December 8, 2023April 30, 2024

Poetry Wales Editor Zoë Brigley reflects on our Summer 2023 issue

Rachel Carney: How I Wrote ‘Unremarkable’

Posted on December 6, 2023April 30, 2024

“The poem is an attempt to look back as well as forward, to acknowledge the creativity of women past, present and future”

Anthony Wade: How I Wrote ‘A Lost Voice’

Posted on November 29, 2023April 30, 2024

“It is in the editing-amending-polishing phases of the original thought-story-memory that I listen to the rhythms of the language, to the unfolding of the scenes, if more than one, and sense when there is what I think of as a key change, almost as though it is music”

Stuart McPherson: How I Wrote ‘In Time I’ll Fade Away’

Posted on November 22, 2023April 30, 2024

“The more men that can look inside themselves and be comfortable with this the better. It enables us to be better humans, to take better care, both of ourselves and others”

Meredi Ortega: How I Wrote ‘Solo’

Posted on November 15, 2023April 30, 2024

“I like to gather together all manner of things to see me through the making of a poem… I don’t know what to expect so I take everything, just in case.”

Rachael Clyne: How I Wrote ‘White/Other?’

Posted on November 8, 2023April 30, 2024

“I’ve always been an issue based writer and one who draws from personal experience, but just ranting doesn’t cut it”

Christina Hennemann: How I Wrote ‘The Grim Reaper and the Empress’

Posted on November 1, 2023April 30, 2024

“A lot of my images and phrases are the result of letting my subconscious lead the way and just go with it”

Caroline Smith: How I Wrote ‘Links’

Posted on October 25, 2023April 30, 2024

“My experience as a sculptor at art school makes me wary of trying to create something that is self-consciously an artifact… For me it is the subject and material of the poem that drives its shape”

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